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Monday, November 28, 2022

Why Is "Cayo Hueso Rain" One Of My Best Songs?

 



Is Cayo Hueso Rain my best song? Well, I can't say there is a best song. Having said that, of the songs I've released, on my own personal standards, there is nothing less than an "A". Have I written anything less than an A? Of course! Many, many times more than the A's. However, these are discarded, often before completion and none have ever been recorded. We all have our own standards. This is mine. πŸ˜€


When I grew up, a lot of songs stimulated the gray matter, both musically and lyrically. Dylan brought the songs with meaning into the fold from folk music, followed by The Beatles, Buffalo Springfield.. etc. In addition, improvisation arrived with bands like Cream, the The Grateful Dead, The Allman Brothers. All of this was music that made the listener sit up and listen.

These were large influences on my writing. To stimulate the listener's mind is ideal. Many listeners don't have that capacity. The ones who do are my type of listeners. 

For those who do, read on! πŸ˜ƒ


1) When I came up with the concept of Cayo Hueso Rain, the first thing I wanted to do was come up with music that sounded like it was raining. Though the concept was in place, no lyrics were written at this point, however I needed something that, even if there were no lyrics, the listener would consciously, or unconsciously, sense that it was raining. I needed something like a lite rain, very airy feel to it I ended up with an F5 add9  to a G 6/9 progression resolving with additional airy/rainy chords and it was exactly what I had in mind. 

This is a song, not a narration. The music is paramount. This was beautify melodic and a perfect foundation to write the story on! If one builds a house, they don't start with the roof, they start with a foundation. When I write a song, the foundation is paramount. Here, I had my objective.

(note: I always write the music first. Lennon/McCartney, Jagger/Richards, Garcia/Hunter did/do likewise.)

2) One of my goals in this song (and others) is placing the listener in an easy chair at home in Cincinnati, New York, Boston, Chicago... etc. on a winter evening with the snow falling outside. They may have their earphones on so not to be interrupted. They close their eyes, and fall into the music. They are now living the music with the protagonist, in Key West.

note: One definition of Trop Rock is, escapism. I live in Key West. I can't write a song about coming to Key West, I live here and have since 2008. A few years ago on a review, the author called my music Island Americana. I liked that and I've labeled my music that since. I write about the things I see on a day to day basis in Key West.  For the individual who wants to live here, this song, and my music, is for them.

3) In a subtle way, "Cayo Hueso Rain" walks the listener through the streets of Key West and allows them to see the town through the eyes of the protagonist, on a rainy day on the island.

4) It's almost like Dickins' "A Christmas Carol" for the listener, in that the listener is guided through the town in the song seeing the wonderful, the middle of the road, the sad, the happy and the tragic. Unlike "A Christmas Carol", the listener is only an observer and what they see is no reflection on them in the slightest.

5) One fun aspect of the song is the name. When I play this song out, I'll often ask the audience "Does anyone here know Key West's original name?". The question is often a bunch of confused faces that look as though they are asking "What? Key West had other names?" The original name for Key West is Cayo Hueso, the Spanish name which literally translates to "Bone Key" . Some call it "Bone Island" However, this is not quite correct. If it were Bone Island The Spanish name would be Isla Hueso. The word "Cayo" translates to the English word, Key, Also, to this day, Spanish speakers refer to Key West as Cayo Hueso. It's a fun little interlude at a gig!

6) The song is in the key of F and while 99% of songs resolve on the key's root chord, this does not. It really just floats off into the distance on a dissonant variation of the 4 chord and the protagonist floats away like a ghost "... So all I think I'll do is walk around, this beautiful island town, in the Cayo Hueso rain, in the Cayo Hueso rain, en la lluvia de Cayo Hueso, in the Cayo Hueso rain.... "

7) Who is the protagonist/guide that just took us through such a fascinating walk of Key West in the rain? He showed us Cuban Coffee, people scampering into bars to escape the rain, the list goes on and on. His tour was insightful and from someone who knows the town inside out. However, who was he?


Hint: He's an anonymous individual, yet is categorized. 


https://music.apple.com/us/song/cayo-hueso-rain/1564666511


https://www.amazon.com/Cayo-Hueso-Rain/dp/B093CPDVFP


Thanks for reading my blog! The smart readers will have the insight!

Wednesday, August 31, 2022

MANNING - Story Behind The Song

 



In 2002 my mom died. She and my dad had been living in Cape Cod for twenty-five years and I was living with my then wife, and her three daughters in Miami Dade. Things were tight and candidly, we were living paycheck, to paycheck. I called the airlines but they wouldn't extend me a bereavement fare. One thing was certain: I wasn't going to miss my mom's funeral. I elected to take the Greyhound.

It goes without saying, the trip was long and fascinating. It stopped often at bus stations and truck stops. One stop we made was a truck stop in Manning, South Carolina. It was your average truck stop. Trucks were lined up for the night, their diesels gargling at idol. They had shades on the inside of their windshields, and in the corners of the windshields, I could see the flickering blue light of some watching tv in the sleepers. In others I could see reading lights illuminating the cabs. Perhaps a driver talking to his wife back home, or perhaps taking in a book?  It was the same as any other truck stop, really. Nothing about it stuck out. Yet, when the bus stopped there on the way back home, it was familiar and I felt I almost knew the place.

About a week or so, after I got home, I was sitting in the back yard on a swing, playing my guitar and I was thinking about that truck stop in Manning. Suddenly, somehow, out of the blue, I landed this great chord progression for a song. While it was a bit involved with twenty-seven changes and seven chords, it painted the scene of that truck stop perfectly.

With the music of the song written and established, the lyrics just fell into place.

It was a fun story line to work with!

Verse 1)

The storyline starts off with the protagonist hanging in the sleeper of his truck, at the truck stop, "broken" (him or the truck?) in Manning. He's content, and maybe relieved that he's in Manning. Apparently, everyone back home in 'Bama everyone is wondering where he is and waiting on his appearance. 

His mind drifts off as he's distracted inside the truck stop, observing hotdogs cooking on a roller grill, and model stock cars on display. Slipping into denial, the reality crosses his mind where he says that he feels the pain in his heart, for what he's doing, which he knows is wrong, However, he immediately suppresses it by allowing himself to be so easily distracted. He observes tobacco stains on the pavement, which takes him back to his delusional cover up and falsely settles on a metaphor saying "But it's raining down in 'Bama, but in Manning it's a sunny day", because he created turmoil back home in Alabama, but in Manning he has no issues to deal with. He's run away from his issues.


Verse 2

The truck driver is fully content on staying in Manning, drinking a few beers and watching tv in the sleeper of his truck. He's not going anywhere. He's staying in Manning. After all, he says "..'Bama's just so far away from me", Of course that is his continuing denial. 'Bama are his continued problems that he's caused himself.

Meanwhile, his cell phone is ringing off the hook and his email is solid booked. However, his rationalization is again the same denial. "But it's raining down in 'Bama, but in Manning it's a sunny day"

 Verse 3)

It's wake up and face the reality time. He's heading back to 'Bama. His conscience finally took over and planted him in reality. He's ready to face the music, take it on the chin, and hope for the best.

"She'll probably slap me in the face, tell me I'm a big disgrace" Then, with a tongue in cheek  " 'Bama's looking brighter every day" because he knows that's the least he'll get and he knows the price will be high. "I'm hoping she'll take me back, cross my fingers she'll cut me slack.."    Then with the reversed metaphor  " 'Cause it's raining here in Manning, but in 'Bama, it's a sunny day."

In this last verse it becomes clear that he had gotten cold feet with his bride at their wedding in Alabama, and hi-tailed it to Manning.  After a bit of time stewing in Manning, he came out of the ether and is now in damage control mode.


Song Available through:

https://www.amazon.com/dp/B0BCHFK192/ref=dm_rwp_pur_lnd_albm_hd


As the protagonist in the song is from Alabama, I was looking for a riff that would give it something of an Alabama feel to it. The first thing that came to mind was, of course, Sweet Home Alabama. The opening riff that repeats throughout the song, has virtually nothing whatsoever with Sweet Home Alabama. My goal here was to get a riff that, being totally different, still sounded like it came from the same neck of town, albeit maybe a quarter mile away.

Emily Randle once again, lends me a hand, as she gracefully has in the past on other songs of mine (including "Island Ladies", which has over 100,000 radio air plays), She adds so much color and really tasteful solo work on the song! She recorded her parts up in Washington D.C. and gave us a trove of cuts to chose from, on this and two other songs we're working on! Thanks Emily!

The haunting slide guitar is me. As the protagonist is going through uncertainty, my objective was to have the slide sound pretty spooky. I thought it especially sounded really well weaving in and out with Emily's violin! I'm also playing the acoustic guitar.

Ericson Holt, what can I say? Former Nashville session player, it really doesn't get any better! Playing piano and organ on this track, as always, just superb!

Claire Finley is on bass once again and is perfect!

Alan Jax Bowers on percussion and Randy Stindt on drums did the rhythm to a T. First session with Randy, we've got a few more in the hopper too, as well as Jax, whom I've been recording with for about seven years or so!

Ian Shaw is the master at the helm, for both production, engineering, mixing, and forty years of solid experience. 

Denis Blackham has been mastering for over fifty years, There is no one better. He's mastered for The Who, Crosby Stills Nash and Young, Led Zeppelin,.. the list goes on and on. Between him and Ian, it's like riding on a flying carpet.

 


Chris Rehm    - Acoustic guitar, Electric slide guitars

Emily Randle - Violin

Claire Finley  - Bass

Alan Jax Bowers  Percussion

Ericson Holt  - Keyboards (Piano and Organ)

Randy Stindt - Drums


Ian Shaw - Producer/Engineer

Denis Blackham - Mastering


MANNING


1)


SITTIN’ IN A TRUCK STOP, BUS STOP BROKEN IN MANNING

AND MANNING’S JUST THE PLACE I OUGHT TO BE


FURTHER BACK HOME WAY BACK DOWN IN ‘BAMA

A

THEY’RE LOOKIN’ AT THEIR WATCHES WONDERING WHAT’S


BECOME OF ME

HERE THERE ARE HOT DOGS ON A ROLLER GRILL


STOCK CAR MODELS ARE STANDING STILL YET


SOMEWHERE 'ROUND ‘BAMA THEY’RE WAITING ON MY CALL


IN MY HEART I FEEL THE PAIN


CEMENT’S HERE’S GOT TOBBACCO STAINS

BUT IT’S RAINING DOWN IN ‘BAMA

BUT IN MANNING IT’S A SUNNY DAY

IN MANNING IT'S A SUNNY DAY



2


SITTIN' RIGHT HERE AIN'T GOING NOWHERE IN MANNING

HANGIN’ IN THE SLEEPER WATCHING MY TV


STAY RIGHT HERE DRINK A FEW BEERS IN MANNING

BAMA’S JUST SO FAR AWAY FROM ME


WONDERING WHY I’M NOT THERE


YEAH MAYBE I’M JUST ACTING SCARED

AND ‘BAMA’S SO FAR AWAY FROM HERE


CELL PHONE’S RINGING OFF THE HOOK


E-MAIL PAGE IS SOLID BOOKED

BUT IT’S RAINING DOWN IN ‘BAMA

BUT IN MANNING IT’S A SUNNY DAY

IN MANNING IT’S A SUNNY DAY



3)


MOTOR’S FIRED UP GUESS I’M HEADIN OUT OF MANNING

CONSCIENCE GOT THE BETTER PART OF ME

HEADING BACK HOME GONNA FACE THE MUSIC IN ‘BAMA

I’LL TAKE IT ON THE CHIN AND GET WHAT’S COMING TO ME


SHE’L PROBOBLY SLAP ME IN THE FACE 


TELL ME I’M A BIG DISGRACE


BAMA’S LOOKING BRIGHTER EVERY DAY

I’M HOPIN’ SHE’LL TAKE ME BACK


CROSS MY FINGERS SHE’LL CUT ME SLACK

CAUSE  IT’S RAINING HERE IN MANNING

BUT IN ‘BAMA, IT’S A SUNNY DAY

YEAH, IN ‘BAMA, IT’S A SUNNY DAY



© 2002 BY Christopher R. Rehm BMI


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