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Friday, December 19, 2014

Richard Crooks A.K.A. Father Time

Richard Crooks, A.K.A. “Father Time”

“Father Time”. That’s what engineer/producer Dan Simpson referred to drummer extraordinaire,  Richard Crooks as. We lost Richard December 16th. The finest musicians in Key West all said Richard was the best of the best. A Californian, Richard actually came to Key West via New York City, where he spent something in the vicinity of thirty years, as the “go to” drummer for everyone.

“Everyone”. Who’s this “everyone” anyway? Now I can’t say, because I don’t honestly know, but maybe Richard did play in a jazz trio in Battery Park on Sunday afternoons. Maybe yes, maybe no. What I can say is that Richard played and recorded with a plethora of  people, such as  Dylan, Paul Simon, Lowden Wayneright III, Odeta,... the list goes on and on.

Richard was kind enough to play on my album “Shanghai’d and Marooned in Key West (things could be worse)”. He also played drums on my song “Island Blue”, which will be on my next album,  “Jump Into De Fiya!”. The memories of recording with him, as well as getting to know him, will always stay in my memory fondly. It will always be a great honor for me. Having said that, Richard was often the first to laugh and always had a fantastic, easy going, personality. You couldn’t help but love the guy! Either at the recording sessions we were involved in, or just shooting the breeze, there was always great fun and camaraderie involved!



(Listen to Richard Crooks’ silky smooth brush work on “Raise My Glass To The Upper 48”)

However, Richard was always the most professional player I’ve played with. Before we recorded my album, I gave everyone who was going to play on it an acoustic demo that I recorded, so that they could learn the songs. Now mind you, the entire crew were first rate musicians. When we got into the studio, more often than not it became a musician saying to me “Woh! Wait a minute, what the hell did the song do there?” to which I replied “I gave you the demo recording, and the chord sheet that went along with it. Didn’t you listen to it? Then they would say “Well, I was thinking your stuff was like that other Trop Rock guy...…” and I would reply “No, my stuff isn’t like his or anyone else's. My stuff has chord changes that are not the norm. They go off the beaten path, but manage to flow quite naturally.  That’s why I took the time and money to record and give you the recording and lyric/ chord charts, so you wouldn’t be learning the damn song in the friggin' studio.”

Richard, on the other hand, didn’t arrive in the studio cold turkey figuring he’s just knock it out, never listening to the demo to begin with. No, Richard not only listened to the arrangement demos, but he also charted out each and every song.

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(Richard Crooks viewing the music chart while recording “Shanghai’d and Marooned in Key West ( things could be worse)”


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It was kind of funny, somehow I managed to pretty much get it all right on my stuff, but there were two or three times when something was not quite the way it was presented by myself. Richard would say “So this is supposed to go another measure, you’re saying?”. I’d “Well, yeah, that’s my mistake Richard”. Then I’d get the look and he’d go back to his self made chart and make the correction and give me “the look” again.

It wasn’t a bad look, but more akin to a teacher sitting at their desk giving you the same look after you made a mistake on a paper. What it was, was a look that taught you. One that you learned from.

Then, with an upbeat tone he’s say “Okay, lets go!” One definitely learned when you  worked with Richard. Everyone did. Once he made his point, it was over and time to move on with a good spirit and vibe, because if the spirit and vibe weren't there, the entire session would be spinning it's wheels. That was the antithesis of what Richard Crooks was all about.

Richard was modest, to a “T”. Yes, he played with Dylan and Paul Simon, and a myriad of others. However, he wouldn’t volunteer that at all. He wasn’t the type to pipe up and blow out “Oh! Yes! I’ve played with Dylan! I’ve also played with Paul Simon! You should have been to the session I did with David Bromberg and the tour that followed!”

No, that wasn’t Richard at all. If you asked him, he'd be more than happy to share his stories and anecdotes. they were always peppered with humor and mirth. However, those stories never surfaced unless requested.

Knowing he was from California, I asked him if he ever played in the San Francisco bay area. HA HA! I then learned that he had played during the Summer of Love (1967), played the Filmore and many other gigs in a band that played with The Grateful Dead, the Jefferson Starship, Quicksilver Messenger Service.. the list went on! The point being, all you had to do with Richard ws ask.

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(Richard Crooks arrives at the San Carlos Institute to record “Shanghai’d and Marooned in Key West (things could be worse)”



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(Richard on the brushes… and loving it!)

Here’s an amazing thing about Richard Crooks. When we were finished with the rhythm tracks, (Bubba Low Notes, played the bass at the San Carlos Institute sessions along with Richard, by the way!), we went back to the studio to prepare for the other instruments, that would be added to the rhythm tracks. As it appears on the grid on the computer, there are the sound waves and every few inches there are vertical lines. These are the exact points of where the beat lies. As humans, no one is perfect. Inevitably, a musician is either a touch in front of the beat, or a touch behind the beat here and there on occasion. The engineer will move it digitally to compensate for the error. I’m talking about drums, however this can happen with all instruments.

Well, on all of Richard’s tracks, there was not one piece that Dan had to move. Not one. Ten tracks, all perfect, to a “T”! Engineer/Producer Dan Simpson said “This is the way it always is with Richard. It’s unbelievable. He’s like this all the time. That's why I call him 'Father Time'!”.

My life long friend, Vintz McKeon, came to Key West a few years back. Vintz and I had been in bands together until I left New Jersey and moved to Florida when I was twenty one. Vincent is an extraordinary drummer, based in New Jersey, not too far from NYC and is in the city very often catching music shows of all sorts of genres over the years. From the Allman Brothers, to Charles Mingus, to The Band, to Tower of Power, to James Taylor, to Miles Davis. He’s also active, playing with a band named “The Harmony Brothers” for the last several years. When Vintz heard Richard, he was in awe.

I had never played with Richard, up to the point of recording, but playing with him on the rhythm tracks was just a natural. It was like riding on a magic carpet. It was just, flat out perfect.

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We’re all going to miss Richard immensely and anyone who either heard him play, or played with him, is truly blessed. Every player he ever played with, and even those who didn’t, learned so much from Richard Crooks, we’ll be forever in debt.


("Island Blue" featuring Richard Crooks on drums)

Guitarist Larry Baeder mentioned to me the day after Richard's passing that the entire music fraternity in New York City was mourning. I can tell you that so is the one in Key West.

Godspeed Richard. Thank you so much for sharing, not just your talent and knowledge, but even more so, your marvelous life itself with all of us.

Key West is so grateful you chose to be part of this island.

My most sincere condolences go out to his wonderful wife Nina and his entire family.



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to view some of what Richard has recorded over the years check this link;



To obtain my music:

My CD is available on iTunes, CD Baby, CD Universe, Rhapsody, and Beachfront Radio.
Search: Key West Chris

Thank you everyone!!

 

Wednesday, December 17, 2014

Happy Merry Christmas From Key West!

Happy Merry Christmas From Key West!




Well we’re officially in the holiday season as I write this on December 17th. Over the years people have asked me if I ever wrote a Christmas song and the answer was always the same. No. Not that I had anything against Christmas, mind you. It’s just that the expense of making a recording just never justified it, in my way of thinking.

Well, not too long ago I came into a new computer and the main purpose of it would be used for our two podcasts, plus recording. Suddenly the cost of recording went down. Then, about a week ago or so, the idea of me actually writing a Christmas floated into my head.

My girlfriend Dani had mentioned wanting to write a Christmas song for a long time. She’d bring it up again now and then. Also, my pal Bobby DeVito had just moved back into town and we’d been talking about doing some things together as well.

So, I’m standing in my kitchen, thinking nothing about writing a Christmas song, when all of the sudden a melody floats into my head. I grab my guitar and play it. A total of two chords. me? Two chords? Heck, one song on my upcoming album, a song called “Seaplane” has been accused of being the Trop song with the most chords ever, with twenty four. My song Island Blue has fourteen.

The way I usually write a song is to come up with a melody first. Music is the foundation of a song after all. So, I wrote the first verse after I had the melody. Then I handed the song off to Dani and she wrote the second verse. We needed a bridge so I wrote the music and the first line of the bridge, Dani did the second, in addition to adding two chords to that portion of the bridge, which kicked it up a notch. Bobby wrote the third verse. I figured that it would work out best if we repeated the first verse at the end.

When we recorded it, everyone sang their own verse, Bobby and I both played guitars. Bobby also tossed a solo in for good measure. I changed the very ending to flat 7th 6/9 chord which Bobby dubbed “The Frank Sinatra Ending”! Bobby handeled the engineering aspect of it all, as well.

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As this is Key West, we ran it as a complete party atmosphere in the background, with all kinds of hooting and hollering with the three of us and our friend Schmegley. Even Cajun and Tooloulou, the dogs, chimed in with some barking!

The end result is a very fun recording and we’re offering it for sale for less than a dollar!!!!
We’re selling it only on Dani’s website. Here’s the link!




Happy Holidays from Key West!

Thanks for your support! and I very much appreciate everyone who stops by to read the blog!!!




“Key West Chris” Rehm

Monday, December 1, 2014

In The Presence of Greatness





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As performers in a tourist town, one is required to play songs that are virtually all upbeat. The tourists want to dance, or wave their arms in the air back and forth. If you go into a slower number, maybe a ballad, more often than not, those in the audience will start talking amongst themselves. If you play three slow songs in a row, they’ll pay their check and leave.

I’m certain that there is a market here for a small, intimate, cozy bar that would feature songwriters who could showcase their own songs, be they any tempo they like. So far, we haven’t seen one however.Smokin' Tuna makes a good effort in this direction, albeit in their early evening shift. I had been talking to a couple of people about setting up a place like this a couple of years ago, though unfortunately apparently both of their interest waned.

This last weekend I had the honor of being the guest of world-class author William Wright at his home, here in Key West.  Bill was very gracious to have Dani and I over. We’re very good friends with Chris Robinson, who is Bill’s friend and (assistant).  It was a very nice get together indeed. Chris’ girlfriend Kirstin was in town, plus, in addition it was Chris’ birthday!

We had a wonderful time at Bill’s beautiful home, as well. I barbecued some bratwursts and Dani made potatoes. Additionally, the dinner was peppered with some great anecdotes and fascinating conversation.

After dinner Bill said he’s like to hear Dani and I play some of our songs, out by the pool. Of my songs, we played “Sometimes We Tote The Load”, a duet that will appear on the album we’re about to start working on. Before we started playing, Dani gave an insight to one side of the song, which is about lugging everything around as a musician, gig to gig.


I actually wrote the song with a double entendre, so I then gave the other of side of it, being two musicians who are involved and going in separate directions on the road, due to gigs not being in the same place, however both always yearning to be together as soon as possible.

I think it's always very special when you have the time and intimate setting that affords the luxury of explaining how a song came about.

Was I nervous? Well, here’s a man who’s written eleven critically acclaimed books. Not one, but two biographies with none other than perhaps the greatest tenor of all time, Luciano Pavarotti.

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(William Wright and Pavarotti holding their first of two books together, "Pavarotti, My Own Story")


Lets just say, here was someone who would be listening to the actual lyrics and the story behind them.

This wasn’t a situation where someone in a bar will hear a hook in a song, then maybe a verse, before someone hollers in his ear about tomorrows endeavors, while handing him another cocktail in one hand and slapping him on the back with the other, then bursting out in a roaring fit of laughter. This wasn't a bar gig. This was a concert for three Bill, Kirstin, and Chris.

Yes, this was quite different. Bill was listening to every word. Additionally, Bill’s hearing is very, very keen. I realized this early on in the evening in conversation. Bill missed nothing. I knew when I played I’d have to be certain not to make any mistakes, or mumble lyrics. Here I was performing for an acclaimed author. The last thing I wanted to do was mumble incoherent words!

However, this was what, as a songwriter, I live for. I think you get the picture that this wasn’t just playing a guitar by the side of a pool while some 600 pound (275Kg) guy was doing cannonballs into the water. This was akin to being a student and having a recital in front of the Head Master. Bill, I don’t imagine, saw it that way. From start to finish Bill was easy to laugh and contributed a good amount of his own mirth to the evening. There was no pretentiousness whatsoever. Additionally, if I didn’t know who Bill was, he’d be the last person to blow his own horn. As far as I went however, I strived for my best performance.

In addition to “Sometimes We Tote The Load”, I also did “Liveaboard” and “Island Blue”, which Dani sang for me.


This was definitely a high point of the year musically for me. I considered it a great honor to play a few of my songs for Bill. On each song he was kind enough to give me his undivided attention.

Yeah, that’s an honor alright.

Thank you very much Bill.

Big thanks to Chris Robinson for putting this together!!! Thanks Chris!!

For books by William Wright, here’s a few links to Amazon:





To obtain my music:

My CD is available on iTunes, CD Baby, CD Universe, Rhapsody, and Beachfront Radio.
Search: Key West Chris

Thank you everyone!!

“Key West Chris” Rehm

Tuesday, November 25, 2014

MOTM Part 3 and MUST DO's in Key West!

MOTM 2014 PART 3

Phew! This was a busy week! As mentioned in the first of this series in Part 1, we actually started off two days ahead of the Pit Stop parties with our gig at The Hen and Hound on Saturday and a great BBQ with Trop Rock fans visiting early, the following evening at the Conch Rock Shanty.


In Parts 1 and 2 we covered that, plus Pit Stop Parties 1,2, and 3, with Part two culminating in doing our Podcast “Key West Beer Tales - The Sum of All Beers” from the Cork and Stogie here in Key West, with the CEO of the Stiegl Brauerei,  Salzburg, Austria. #stiegl


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(Key West Beer Tales at the Cork and Stogie interviewing Robert Schraml, CEO of Stiegl Beer, Salzburg, Austria. Picture by Roger Thompson III. Thanks Roger!)

Everyone on the show felt that this was our best beer show to date. We’ve always felt that Stiegl was one of the finest European beers available in the US, so it was a great honor to have them in Key West for the interview, during MOTM no less!

That podcast should be airing in the next week or two on the stations and schedules listed below. A week after it airs on the stations, it will be available on Spreaker

KW Beer Tales  Airing/Stations Schedule

KWOM - 10am and 10pm

Trop Rock Radio - Sundays 5 - 6


Radio A1A - Monday's at 7 and last week's show every other day

The Shore - Friday at noon

Island Radio  - 8PM Saturdays

Tiki Beach Shop - Monday, Wednesday, Friday  -  2Pm




Facebook Page




So now it’s on to Wednesday! The first order of business was to head to Naval Air Station Key West on Boca Chica Key to do a quick rehearsal with Conchalele Bob McPhail, whom I’d be sitting in with later that day at Schooner Wharf’s Midwest Region Parrot Head Club party.

It’s always an honor to be on base and Bob being a former Naval officer, keeps his sailboat docked there. We had a rehearsal that went well and then parted with arrangements to meet again at Schooner Wharf in a few hours.

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Barb Herzog does the organization and I was thrilled to be a part of it again! Thank you Barb! As I mentioned, I was on with Conchalele Bob as part of his quintette! What a fun time as well! There were performers there all afternoon, from four to about seven, it was a full schedule! Mike Miller, Thom Shepherd, The Island Time Band were a few of the great acts that went on all afternoon.

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(Dave Herzog and Chuck Fox, The Island Time Band at Schooner Wharf)

It goes without saying that Dani and I were here as well, being The Shanty Hounds! Our set went very well and we had a blast! It’s always a great time playing at Schooner Wharf, one of the true Key West Classics.

Our pals Homemade Wine were the hosts for the event. They got the system warmed up with a song or two, then hosted for the rest of us. Thanks guys!

At around seven they took the stage and, as always just tore it up. Homemade Wine, if there ever was a Southern Rock band in this current time period, you’re looking at it. It’s interesting, as they have a very, very large following in the Trop Rock community, yet with a couple of exception songs, they’re not really Trop Rock, they’re Southern Rock and what they are, is damn good!.

Here’s a piece of one of the songs they do, Marshall Tucker’s “This Ol’ Cowboy” which was recorded at the Schooner Wharf gig.



Later that evening we headed over to The Bull where Kelly McGuire was playing and hosting the Atlanta Parrot Head event there. Lots of friends were there as well! Key West / NJ resident and pal Beth Schreier (she was also at Schooner! She gets around!), Dianna Greenfield Christ, Pablo Heins, Art Hessen, Darlene Hessen, Jeff Lange, Debbie Simmons, Lee Simmons, Micki Greer, Fred Wunder, Rich McGuire, Michelle Tafoya, Brian Fields, ...the list went on and on! A typical Bull evening too! Lots and lots of laughs all night long!

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(Jeff Lange and Beth Schreier at The Bull)

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(Complete shenanigans at the Bull with Rich McGuire, Dianna Greenfield Christ, and Pablo Heins)



Kelly was kind enough to have Dani and I up to play a set and percussionist Melanie Howe played the full set with us. What a great player she was! With a percussionist that has never played with you, they’re always on thin ice, especially with a band like The Shanty Hounds.We have stops and goes on a lot of our original material. We’ve been blessed with having Redawg, John Sausser, and Rogue, play with us and everyone is alert and looking, which is what a percussionist needs to be, particularly if they are not familiar with the material of original songs. Melanie fit this mold to a T. It was a pleasure playing with her and hopefully we’ll get to play with her again soon!

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(Melanie Howe)

Thursday

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(Photo by Bruce Riggs! Thanks Bruce!)

Thursday was a serious treat! Compliments of Captain Ter Ry we were off out on the high seas for a MOTM sunset cruise and The Shanty Hounds were the featured entertainers!

If there’s one thing everyone MUST do when visiting Key West, it’s get out on the water! After all, you’re on an island that’s 106 miles (172km) from the mainland! We had a fantastic crowd on Captain Terry’s catamaran, which was just under 50 Ft.(16.6m) and we all had just a great time. The essence of what great memories are made of!  It was set up so that half of the donations went to the DJ Jeff cancer fund, all good causes on everything!

A beautiful evening, a great crowd, a magnificent sunset, plus, we came across a pod of dolphins on the trip as well!

Thanks Captain Terry!!!



At 9pm we again hosted “The MOTM Key West Open Mic At McConnell’s”. McConnell’s is the only Irish Bar in Key West with the closing of Finnigan’s Wake last summer. So many musicians/songwriters come to MOTM Key West hoping to showcase themselves, only to find a closed door greeting them when they inquire if they can play. At the The MOTM Key West Open Mic at McConnell’s, the door is ALWAYS open to all! Over the years we’ve gotten everybody too! Headliners, supporting musicians, and folks you may have never heard before. More often than not, the latter are the eye openers! It’s a real treat!

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(B Man and the Miss Beehavin’s out of Albuquerque, NM)

Friday

On Friday Dani and I peddalled over to Dante’s where Pablo Hessen and Dianne Greenfield Christ of the Sandbox were having their MOTM party! Lots of folks played and was hosted by Rick Schettino On top of all that, it was Pablo’s birthday, so it was a two run homer!

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(The Shanty Hounds - Dani Hoy and Key West Chris Rehm)

On Friday night, John Sausser. Dani and I played as The Shanty Hounds at Viva Zapata at 903 Duval MOTM Friday evening with our pal John Sausser again on percussion. Outside, right on Duval at their streetside cafe. 104.9 FM the X was broadcasting from there as well, so it was double exposure!

It’s kind of unusual as Viva Zapata has been closed for eighteen years and only re-opened a few months ago.The place is said to be quite haunted and it’s just such a cool place. Currently it’s like an old style Key West bar in that it’s open air, like the Bull and Captain Tony’s.

They also have this old stage prop giant book that was used in a Jimmy Buffett show, where he would have a hidden room in it that he would pop out of. The book is signed by all of the band members of the time.

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(Shanty Hound “Marmadude” John Sausser)

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(Shanty Hounds Dani Hoy and Key West Chris at Viva Zapata in front of the Jimmy Buffett signed stage prop)

MOTM Saturday

I headed over to Captain Tony’s where Mike Miller was hosting a benefit for Hugo Duarte, who was suffering from cancer. There had been talk that Hugo might be there, from his home in the Carolinas, however it was not to be. Hugo was too sick to make it.

I called Marty Kuklinski’s radio station up in Illinois and flapped my gums for about ten minutes, before heading inside. Great, fun time on the radio with Marty! We try to hang out when he and his wife Kathy are in town, so this time it was vicariously for Marty!

As I mentioned, Hugo couldn’t make it, the show did go on however! There were many who played and what an honor it is to play at Captain Tony’s! I’m fortunate as I get to play there from time to time and what a history that place has! The hanging tree growing right through the bar, the grave in the pool room from 1822, a haunted ladies room… the list goes on and on!

A bunch of musicians were there in support og Hugo and it was something I was honored to be part of! The place was packed and the crowd was just fantastic! I don’t remember what the final number was, but the amount raised for Hugo was substantial.

Dani and I played and were honored to do so.

We lost Hugo to cancer later that week. A great, great songwriter with a lineage of friends all over. Hugo spent a good portion of his life living in Key West, so there are many, many people here who were impacted by his life and his loss.

Godspeed Hugo. Thank you for your gift of music and line.

Complements to Mike Miller for organizing this great event!



Mr. Andy Westcott playing for the Hugo Duarte fundraiser at Captain Tony's


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Our gig on Saturday was at The Hen and Hound, another one of our favorite bars in Key West! Additionally, we had a great crowd which we were really enthused about! The place was packed. As usual and par for the course, at least as our game rolls, we had several guests stop by and play! A great evening and we went far beyond our 12:30 am end of show time. I think we actually got home sometime around 3:00am.

On a deflating note regarding this gig:  The following week we were talking to the owner Jenny. Jenny was telling us what a poor night they had that Saturday business wise. We were sure she was mistaken as there were loads of people there! The place was packed! However, she assured us she was right. They had a piss poor evening that night. As it turned out, no one was buying food and the vast majority of people there were ordering tap water. Talk about a complete embarrassment. The bulk of the people there were from a single Parrot Head group from the North East. I was dumb struck and so was Dani. Our job, as is any musician, is to sell product. That is the only reason we are there, when it all boils down. We play and the audience buys dinners and libations. Not here however. They were drinking water. We couldn’t believe it.

Well, all of the other gigs we played, that was not the case. At those other gigs, everyone had fun and the establishments prospered. Thank you to all who participated! Next Year however, at least at any gig that I see this particular Parrot Head group attend, be advised that all water, even if it’s from a tap, will be the same price as an imported, or a craft beer.

Sunday

Last year Jeff Allen, of Beachfront Radio, was enroute to MOTM when he had his final attack of the cancer that he was plagued with. He never made it regretfully. Consequently, I changed the event of mine at Sunset Tiki to “The Jam For Jeff”. This event was a very good success for all involved, plus we had about twenty performers stop by and play a few songs in memory of our departed friend.

Last year, only days after the event, Sunset Tiki was torn down and entirely rebuilt. I never complained about the old facility, however the new one is just outstanding! It’s also been rated as the best spot in all of the Keys (not only Key West) to see the sunset!.



This year, Andy Forsyth, one of the two new owners of Beachfront Radio, and I talked early on and decided to make this year’s event one of the official Beachfront Radio events.

This year’s event went off without a hitch. We had a specific list this year of performers and a time slot for each. I wouldn’t say it worked better than last year’s open mic style event, however it didn't work any worse either. What it was, was different, that’s all. The attendance was very good, plus one of the sunset sails a couple of days earlier was cancelled and the entire complement of the sail ended up at Sunset Tiki as well.

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(Sam Rainwater)


MUST DO's IN KEY WEST


On an odd note, at the aforementioned Sunday event at Captain Tony’s, Dani and I started off with a song of mine, “Sailing”. Before we started I got on the mic and asked how many people in the house had been out on the water since they’ve been here? No one raised their hands. I thought maybe no one heard me, so I asked again. Again nothing. So I said “No one’s been out on the water?”. Nothing. We went on with our set and all went great and we were well received!



"SAILING" 

However, the more I thought about it over the next few days, the more I thought that I should put something in the blog that’s a “Must Do In Key West” list. And here it follows:

  1. Hemingway’s House. If you come to Key West the very first order of business is to pay homage to arguably, America’s Greatest Writer. I always say to people that I hate Hemingway’s house because whenever I go there, I want to move in. Take a tour. The guides are far better versed on Hemingway and his history, both in Key West and elsewhere, than all of us combined will ever be.Really, you’ll be grateful that you did. Give your tour guide at least a $5 tip at the end of your tour.


  1. The Butterfly Conservatory. Trust me. Go there. It like walking into a terrarium filled with thousands and thousands of beautiful butterflies. Tours are self guided. You’ll feel fantastic! Always rated in the top places to go in Key West

  1. Take a Sunset Sail! You’re on an island over one hundred miles off the mainland, get your butt out on the water, pronto! The water here is different every day and the sunset sails are very reasonably priced and include free beer and wine! Get your ass out on the water! Water is what made this town what it is, first and foremost. When leaving the boat, leave at least $5 as a tip for the crew, for each person in your party (2 people $10, 3 - $ 15… and so on)

  1. Conch Train/ Trolleys - Key West is absolutely loaded with history and the Conch Train or the trolleys are a perfect way to learn and also see a whole lot of Key West that you ordinarily might over look. Don’t feel like a dork on them either. It’s a great experience! 


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I’ll be putting suggestions of places that are must do’s in future blogs. In order to keep them from being overbearing, I’ll only put in a few at a time. Of course I have a bunch more in mind, however,  if you have any suggestions, my ears are open!


Thanks!

To obtain my music:

My CD is available on iTunes, CD Baby, CD Universe, Rhapsody, and Beachfront Radio.
Search: Key West Chris

Thank you everyone!!