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Tuesday, July 30, 2019

Two Songs Up For Song Of The Year!


TUESDAY, JULY 30, 2019






I am honored and blessed to have not only one, but two songs up for nomination for the TRMA's Song of the Year! “Yippie Cayo Hueso” (Rehm/Gowran) and “Dockside Bar” (Rehm)!!!


Both songs are about The Florida Keys!

Thank you!!!

Check them out and vote for either! The link for the TRMA is below the YouTube links!

Yippie Cayo Hueso



Dockside Bar







Thank you for your continued support!!!






Thank you for reading my blog!

Please check out The Shanty Hounds NEW LIVE RELEASE!!!


Unleashed! Live at Grunts – Key West”


A true, authentic sound of Key West 
http://theshantyhounds.com/

Also available at:
iTunes Store



Amazon






Please check out my book "Time Traveler - The Oddities and Adventures of a Key West Bartender". Follow Mark Straight's continuing journey and friendships from current Key West, back to historical Key West and elsewhere!

 Order paperback or download here! Paperback comes with a free download!

 26 Five-Star ratings!






Also, my first book, Bar Stories, is now available in paperback!


Available on Amazon! 18 Five-Star ratings!




Also, here's more of music here at iTunes!






😭😭😃😃😃

Saturday, July 27, 2019

"Yippie Cayo Hueso" Fun story behind the song that's up for Song Of The Year nomination with the TRMA!


"Yippie Cayo Hueso"








Yippie Cayo Hueso” Is up for nomination for song of the year with the TRMA!


While the expression “Yippie” needs no explanation, Cayo Hueso for many, may. Loosely translated it's the Spanish name for Key West. I’ll get to that in a second. Pronunciation for Cayo Hueso is:
 KAI - o   WAY-so. So the song is essentially, “Yippie Key West”!



The literal translation of Cayo Hues is Bone Key. You’ll hear some say it’s “Bone Island”, however, that would be “Isla Hueso, whereas Cayo/Key/Cay is a specific type of island. When the Spanish first arrived on the island they found the beach littered with human bones, the result of a Native American war that had previously taken place. The Spanish speakers of the world, to this day, call the island Cayo Hueso.

Image result for Cayo Hueso


The song’s back story actually goes back to 2009, though the song wasn’t written until 2013. So there’s a story here! HA HA!



I was with my friends Gary Ek and Key Largo Joe Gowran one afternoon here in Key West. It was a long day of typical Key West activities. We started off at B.O.’s Fishwagon for several beers and a bite to eat. They left via a dingy Joe had and we made arrangements to meet up at Margaritaville later to see Amy Lee, who was playing there that evening. My plan was to ride home, grab a bite to eat, then head back to rendezvous with them at 8. 

On the way home I passed Kelly’s Caribbean (today known as “First Flight”) and knowing they brewed their own beer, I essentially was, in effect, a human dividing rod for beer, on a bicycle. This was Key West living at it’s very best! I had several of their beers and suddenly realized I had about five minutes to get to Margaritaville! Where had the time gone? Where had the beer gone? Apparently, as good a time as I was having, time fell by the wayside as I quaffed my early evening away.





Image result for kelly's caribbean bar grill & brewery

I peddled my way over to Margaritaville and met back up with Gary and Joe. We had a marvelous time listening to Amy’s fabulous sax! If I’m not mistaken, I believe there was also rum, beer, and tequila involved with somebody  going over backwards in their chair, with no harm done, and the aforementioned alcohol acting as a trampoline, preventing the potential bruised ego which otherwise could potentially have occurred. If I’m not mistaken, I believe there was also an incident on a bicycle upon our disembarkation from the establishment.

Gary Ek

All in all, quite a good round of Key West fun and memories!


So, now let’s zoom up to 2013. In the interim years I had done a lot of sailing with my friends Larry Poff and Michelle Dugan on Larry’s 41 ft. Morgan sailboat, named “Transition”.  It’s always a must if you’re in Key West, to get out on the water! After all, here we are sitting well over one-hundred miles out to sea. If the opportunity is at hand, plain and simple, you get out on the water!





So here I am in 2013 and I get the inspiration to write a song that celebrates Key West! in doing so, I came up with the most fantastic name “Yippie Cayo Hueso”, which has a tongue-in-cheek tip of the hat, to the old cowboy song “Yippie Ki Yay”


Note: This next section is for musicians and the pedestrian section continues after. Please feel free to read it if you are not, but for some it may be tedious.



———————————————————————————————————————
A celebration song needs to be upbeat, so that was my first goal. The subject matter would be getting out on the water and as a celebration song it would naturally have to be in a major key. I chose the key of E, however, I put the capo on the second fret using the D formation, as the first position E doesn’t have that majestic sound of the D inversion.


My #1 goal musically is always to sound like no one else and after that, not to sound like anything else I’ve ever done previously. If I can’t do either of those, I’ll shelve the project. That goes with any song I write.


Yippie Cayo Hueso got off on the right foot. The verse was musically 1 - 4 - 1 - 5 - 4. with the kick in the pants that was called for.


The bridge was really unique in that it jumps to the 4 chord as a Maj7 in the third position on the neck, then going to the 5, but not as a chord, but rather an octave, only implying the chord and giving a very unique sound. This gives the song a majestic, rising crescendo while the lyric is countering and offsetting that by saying “Back on the mainland they’re wound so tight..” At the same time while the chord and the octave are mathematically rising from 4 to 5, the inversions are receding from the 9th fret to the 7th, creating an entirely false illusion.


The bridge continues, albeit completely changing to a minor chord mode giving an entirely different color and feel to the song while Dani Hoy sings solo “Just take a sail on a sunset eve, in the twilight you can’t believe.” with ending by changing from E Major to E Minor for that second to last chord of the bridge (Em + 9) and resolving on a 5/5 sus/5.


This is followed by the instrumental section, which again, is unique. What makes it unique is that it features a rhythm guitar solo. This is loosely a backward version of the first section of the bridge in that it does the 4 octave to the 5 Maj 7.


Coming out of this it just rolls directly right into the last verse.


This is followed by a rousing “GO!” which brings it back to the chorus and a rousing full stop 4 – 5 – 1 ending.

--------------------------------------------------------------------------------------------------------------------

continued:

The song celebrating Key West, showcases a sail out on the water. Being a celebration it starts off with the chorus, whereas most songs have the chorus after a couple of verses. On the live album, our friend Patricia Henriques lead the crowd and had the entire bar singing along with us! It was fabulous!!! 

Thank you everyone, and Pat for taking the bull by the horns!






I've always been so moved being out on the water in any capacity, sailboat, or powerboat. Some say we, as humans, have a subconscious connection with the ocean, as that's where we evolved from, as well as the fact that 60% of our human body is water. Combine that with a sailboat is perhaps the most peaceful experience that exists on the face of the earth.




Think about it, here we are on this Utopian island, well over one hundred miles out to sea, we go out on a sailboat on an incredible day, perfect breeze, it's sunny, and a pod of dolphins are swimming with the boat.


If that's not an inspiration to write a song, nothing is!


So, I wrote the song about being on the boat sailing out to Sand Key, which is nine miles west of Key West, just north of the light out there. We've done this many times, so it's autobiographical.


The song also talks about dolphins swimming with the boat. Out sailing, when dolphins swim with your boat it is such a moving experience! So much so that I mention it in two verses! When dolphins swim with a boat, everyone on the boat is smiling! The dolphins are too! They are having fun!




Image result for dolphins swimming with boat

Image result for dolphins swimming with boat key west


The chorus mentions how tense people are on up on the mainland. Down here in the Keys we suggest visitors take a sunset sail.They really need to!




The third verse talks about a pelican “flies like a B25 a half a foot off the waves”. It's always amazing to watch a pelican gliding for one to two hundred yards across the water, virtually not flapping it's wings at all. Talk about elegance and grace! This is it!



The reference to the B25 goes to Lt. Col. James Doolittle, who lead a raid in WW II where his group of 16 B25's flew just over the water to avoid enemy radar. Their flight was quite similar to that of the pelicans, in that they both flew mere inches above the water.



Pelicans also fly high and often appear to be smiling, which is likewise noted!


Well, I finished the song and I played it for Joe and Gary and Joe says “You used Yippie Cayo Hueso!”


I reply “Yeah!”


Joe: “I always use that saying!”


Me: “Huh?”


Joe: “You must have heard me say that?”


Me: “I don't recall”


Then Gary chips in: “Yeah, Joe says that all the time! Remember that time at B.O.'s Fishwagon and later at Margaritaville? I think he may have come up with it that day?”




(Joe Gowran talking to son Fantasy Fest Floozy)

That afternoon/evening was a crazy day. I didn't doubt either of them.


Back when I wrote the song “Raise My Glass To The Upper 48” My friend George Cornejo was visiting from Miami and as he was leaving said “Wow! You're here in Key West and we're in the upper 48!”. I had never heard the term “Upper 48”, but I was motivated to write a song about it!


It's not a practice of songwriters to give credit in a situation such as this. I recall reading Jimmy Buffett talking about how he heard a phrase and ended up writing a song about it. It's a common practice with songwriters and it's fully acceptable.


With George, had he not made that statement, I would have never written the song. Because of that, I gave him co-writing credit! I felt it was the right thing to do.


With Joe, it was slightly different in that I completely forgot both his discovery and use of the phrase “Yippie Cayo Hueso”. However, apparently it was buried somewhere in my subconscious! Like “Raise My Glass To the Upper 48”, “Yippie Cayo Hueso” never would have come about had it not been for Joe!


Therefor, in my book, Joe gets the co-writing credit! Thank you Joe Gowran!


PLEASE VOTE FOR “Yippie Cayo Hueso”!


TRMA Members nomination ballot link:





JOIN the Trop Rock Music Association:

https://troprock.org/get-involved/#generalmembership


CHECK OUT "YIPPIE CAYO HUESO!"



---------------------------------------------------------------------------------------------------------

Thank you for reading my blog!

Please check out The Shanty Hounds NEW LIVE RELEASE!!!


Unleashed! Live at Grunts – Key West”


A true, authentic sound of Key West 
http://theshantyhounds.com/

Also available at:
iTunes Store



Amazon






Please check out my book "Time Traveler - The Oddities and Adventures of a Key West Bartender". Follow Mark Straight's continuing journey and friendships from current Key West, back to historical Key West and elsewhere!

 Order paperback or download here! Paperback comes with a free download!

 26 Five-Star ratings!






Also, my first book, Bar Stories, is now available in paperback!


Available on Amazon! 18 Five-Star ratings!




Also, here's more of music here at iTunes!








Wednesday, July 10, 2019

Playing In The Band


Playing In The Band







It will be five years this August that The Shanty Hounds formed! Wow! Time flies! It was actually quite funny how it all came about. Dani Hoy moved here just before that New Year, eight months earlier. I was giving her a set to play at all of my gigs on her own and my sets were solo as well. So I'd play a couple of sets, and Dani would do one.

A friend of ours, Reddawg, a percussionist, called and said he had a gig and asked if Dani and I would we share it with him. We said sure and did our usual deal of doing solo sets, albeit with Reddawg on his Zenn Drum. It worked out perfectly! At the end of the gig he said “Why don't we start a band?”

I explained to him that I played my stuff and Dani played hers, to which he replied:

“Why don't we start a band?”.

I went on again stating that neither of us played each others music, to which he replied:

“Why don't we start a band?”

After about five of these exchanges I said “So you're suggesting I learn Dani's songs and she learn mine?”

His reply never wavered: “Why don't we start a band?”.

And that how we started! Thank You Reddawg!!!

The bottom line is: Reddawg started The Shanty Hounds and we're forever grateful!




We needed a name and we called the little cottage at the we lived in at end of Thomas Street “The Conch Rock Shanty”. Plus, we had Cajun and Toolouloo, two whippets, which are sight hounds. Dani put them together and came up with the name “Shanty Hounds”, which I thought was fantastic! I however added the word “The” as a prefix. So many of the best bands in the world start with “The”! The Beatles, The Rolling Stones, The Allman Brothers Band, The Grateful Dead... so it became “The Shanty Hounds”!


Reddawg played with us until December. After ten years in Key West, he felt it was time to go back home to Pennsylvania. Reddawg made it so much FUN and he added SO much energy! We love Reddawg and miss him enormously!




While it was really sad losing Reddawg, we were having such a good time at the point when he left, the thought never crossed our minds of stopping. Reddawg brought us to that level! Additionally, we were getting more and more gigs. People came to our shows and had fun! It was our Reddawg roots perhaps, or maybe the complete chemistry we had both with Reddawg, as well between the two of us!

One thing Dani would say, kind of off the cuff and a little secretly, to me on the side after several gigs was “People really like what we do!” She was right, too! Our audiences really did like us! Our gigs were fun and the music was not the typical songs you would hear other players playing in other bars in Key West. Because of that, our audiences grew with both visitors to the island, as well as locals. We were unique and again, fun! We also were good enough to cut the mustard in Key West. We made so many new incredible friends! Our strongest asset, is our friends!






I always remembered back in the eighties when I was working my day job at a BMW dealership, my friend Rick Asci, the General Manager, was forced to eject a customer from our place of business, The guy was just argumentative about everything. Rick however was very professionally and calmly, with his hands behind his back, so he was in a very non-threatening position, said to the guy “Sir, I'm afraid I'm going to have to ask you to leave”. Rick said it twice and the guy turned around and left.

That always stayed in my memory and I always had a great amount of respect for Rick. He's a very smart guy.

Then, all these years later it dawns on me. As I said, we have a fun band and at our gigs and everyone is having a great time! One night I took the cue from Rick, thirty years earlier and adapted it to the band. I stepped up to the mic in between songs and made the proclamation:

“If anyone here is not having a good time, I'm afraid I'm going to have to ask you to leave”

I can't tell you how many times I've said that and a group of people head right out the door!

Of course they immediately turn around and come back in, laughing their asses off! That's what it's all about, having fun! That saying has become the creed and motto of The Shanty Hounds.

We were blessed with starting with a fabulous foundation. If you don't have a bottom end as solid as concrete you will never last in this town. We started out with that because of Reddawg, who was a decade long veteran of playing Key West bars. After he left we had percussive help from John Sausser, and to a lesser extent, Rogue, who was on the island on a seasonal basis (he and his wife just moved here permanently).

The majority of gigs we had have been as a duo and we became tighter and tighter. I recall being taken aback when people in the audience came up to us after a gig and telling us that they were life-long professional musicians and would tell us that we sounded really good.




This would happen on a regular basis, as well, and still does as we approach our five year anniversary. It's one thing when someone who may be an accountant, a teacher, a sales person, an engineer, people from all walks of life, approach us and say how much they enjoyed our show! It means so much to Dani and myself that we helped make their afternoon, or evening wonderful! Especially for those who are visiting. They may only get one week off a year, they go to Key West and leave our gig smiling! There is a very special feeling knowing that we contributed highly to their week, a week of memories that will sustain their outlook and attitude for the next fifty-one weeks of their lives, until they return. Their week in Key West is what they live for! That is so gratifying!

From a musician's standpoint, when a career musician, someone who graduated from Berklee School of Music, or Julliard, approach us and say to us “You guys sound fantastic!”. For me, that really hits home. Getting validation from top music professionals with PhD. degrees in music, has left me at a loss of words. Having said that, speaking for myself, I'm never satisfied with my playing and always strive to do better.

It's a slow process that you don't realize. No matter what you build in life, a house, relationship or a career, you need to start with a solid foundation. We started off with a fabulous foundation and it built over the subsequent years.

                                                                        Photo by Ralph De Palma



                                                               Photo by Ralph De Palma

There are incredible musicians who both live here, as well as pass through! I've looked up to most and find them amazing and truly inspiring! One thing I've noted way, way, way back when I first visited the island in 1978, was the level of professionalism of musicians who played here. With us, things have likewise progressed.


It's funny, really funny actually, some of the things that have happened over these last several years. We had been playing outside at Grunts one evening and an author we know was walking up the street with some friends. We called out to him and they all came over. Now, we've known him for years, but he's never seen, or heard us play. Additionally, he's well connected with several national artists in the music world as well, having co-written songs as well.



So, he and his friends came in and sat down at a table in front of the stage. It was late, though we had time for three songs, so we kicked into three of our own, “Yippie Cayo Hueso”, “I Like It Hot”, and “Tote The Load”. As we were playing the first song, Yippie, I looked over at him and he was sitting in the chair with his jaw open wide, his eyes bugging out, and both of his arms dangling on either side of the chair he was sitting in. This was his reaction throughout the three songs. He didn't move a muscle. It was as though he was in a trance!

When we finished, he got up to leave and gave us a subtle wave and said “That was amazing!” shaking his head. Here was someone who, as a co-songwriter of songs, and one of whom is a very,very well known national artist, said he said we were “amazing”. Can you ask for a better complement than that? I was humbled.

During several musical events held here in Key West, we've been fortunate to either play in, or have our regular gigs playing during the overall event. At a few of these, several national acts happened to stop by and hang out Their eyes were seriously wide open. When we went to their gigs, I understood why.




Back in March we were playing at our usual Sunday gig at Willie T's. For those unfamiliar with the venue, the seating parallels and abuts the sidewalk, albeit being about a foot or so higher, with a railing. The stage faces the crowd. We have a three song set where I play slide guitar on: Tracy Chapman's “Give Me One Reason” Janis' “Mercedes Benz”, and Kris Kristopherson's “Bobby McGee”, all of which Dani sings.

We're just into Give Me One Reason and out of the corner of my eye, I see a man and woman standing on the sidewalk, up against the railing, listening to us. This happens there all the time, so it's nothing out of the ordinary. I glance over at them, then look back at the crowd. Suddenly it sinks in and I say to myself “WTF???”

I look back at them. The guy is Bob Weir of the Grateful Dead. I figure he gets approached all the time, so I say nothing and just keep playing. They stayed for three songs and threw some money in the tip jar when they left. Talk about a complement and an honor! I've been a major fan of his since I was a teenager. No one plays guitar like Bob Weir. No one! He could have walked by, but he stopped and listened to three songs by The Shanty Hounds! YAY! Thank you Bob Weir!



As a songwriter, I've been published for nearly twenty years in Nashville, with McClure and Trowbridge Publishing. My song “Sunshine and Roses” is currently being reviewed for Trisha Yearwood's upcoming album in the Fall. Fingers crossed, we'll see!



The Shanty Hounds' current album, “Unleashed!” is doing well! Live albums seem to have fallen out of the limelight these days. That's one reason we decided to do one! The thing about live albums is that there are no real excuses. In the studio, you might spend all day laying down a guitar track, or a piano track until you get it 100% right. You don't have that option going live. You're on the high wire without a net! So proficiency is a must as well.





The advantage a live album potentially has is the energy! There are a lot of types of music in the arena and if an act without energy, perhaps something the more cerebral context, wants to do an album, their best route is a studio album. A live album for them is a sleeping pill for someone buying the said recording. While each has their advantages, the main strong point of a live album is the energy it showcases. I can't begin to tell you how many times I'd seen a performer live, then bought their studio album and said to myself “This is a dud! It's nothing like what I just saw!”


As for The Shanty Hounds......We have energy!







                                                                  Photo by Natalie Pairmont

               
                                                                    Photo by Theresa Kalvatis                       

This is why I'm so happy we did our live album! When someone comes up to us at the end of a gig and says “I love what you're doing! Do you have a CD?” I can say to them “If you want the same punch, maybe more, here's our live album!” and when they are back home in Peoria, Saratoga, Sacramento, Chicago, New York, Detroit, LA, New Orleans... wherever, they can put the live CD on, close their eyes, and they're back in Key West at The Shanty Hounds gig! After all, what is our strongest asset? Our Friends!!!!







That is the objective from our perspective. Long before I moved to Key West, I was living one-hundred and thirty-eight miles north of here in Cutler Bay. I'd have BBQ parties (me? BBQ parties??? Imagine that!) and put on Barry Cuda and the Shark's live album “Fish Nuts” and suddenly we had the whole Key West vibe on! We had the real deal Key West live pulse happening! The entire party would have an authentic, thorough Key West pulsation to it! It wasn't as though it was a band from Buffalo, Cincinnati, Atlanta, Tennessee, or Tallahassee making pretend they were in Key West. Barry Cuda is Key West, the real deal. 'Cuda is the blood pumping through the veins of the city and has been for thirty-five years, or so.

We had that same opportunity and with the help of Bob Tucker on bass, John Sausser on drums, Ian Shaw recording and producing, plus Denis Blackham mastering, and our group of friends who showed up in both support and backing vocals on “Yippie Cayo Hueso”we pulled it off! Thank you!!!




“The Shanty Hounds, Unleashed! Live at Grunts, Key West” Takes the listener and puts them at a live Key West gig with The Shanty Hounds. It's perfect to just sit back and listen with your eyes closed, or cranked up at a party you're throwing that you want an authentic Key West groove going! Who knows? The whole party could be singing the refrain to “Yippie Cayo Hueso” when it comes around! It wouldn't be the first time! (Cayo Hueso is Key West's original name in Spanish. It translates to “Bone Key” say: Kai oh Way so)

A few links for downloading "Unleashed! Live at Grunts, Key West"

https://store.cdbaby.com/cd/theshantyhounds

https://www.amazon.com/Unleashed-Live-Grunts-Key-West/dp/B07J62HX58

https://itunes.apple.com/us/artist/the-shanty-hounds/1438531521


As far as gigging goes, we're busy! We make our living playing gigs in Key West. On any given week we're playing 5 – 10 gigs a week. Most of those gigs are in Key West and if they are in Key West, they are no more than a mile away from home. We also play a few gigs a month up the Keys, as well.




For years I have joked “They don't pay us to play, they pay us to lug everything in, set it up, then tear it down and lug it away” The roadies we hire never show up! 😆 That's the actual working we do! Depending on the gig depends on who sets up and who parks the car. However, at every gig we're getting there, unloading, setting up, playing the gig, tearing it down, loading it back into the car and off to the next adventure

This last May, the Tampa-based radio station, Bone Island Radio called us the hardest working band in Key West. I thanked them while they were in town, of course. I can't say about being the busiest in Key West? There are some very, very hard working musicians in this town! However, maybe in the Trop Rock genre?

Last July we did thirty six gigs. I don't know any other city where something like that could be achieved, other than Key West? So, by proxy, within the genre itself, we may very well be the busiest? I couldn't say?

Seriously however, any way you look at it, frankly, every day, we really do bust our ass. 😁😉





We couldn't do it without our friends though! Thank you!!!





I'll be having a five song EP coming out this summer, titled “All The Best From Key West”. Although it's a selection of five of my songs, Dani is on every one as a vocalist, plus these are songs that we do as The Shanty Hounds as well. These songs will have a host of fabulous local musicians, as well as a few visitors such as Emily Randal and Alan Jax Bowers, both of whom we've played with before, but not until now in a studio setting.

                                                          Emily Randle at Warm Fuzz Studio

A few of these songs have been released as singles, however once the final songs are done and approved by producer Ian Shaw, they will all be sent to The Isle Of Sky in Scotland to Denis Blackham (yes, one n in Denis) where everything will be mastered by the master!

Oh! I also have a bit of a jump on my next album after the EP with the rhythm sections done and then some. Progress!

On this release however, unlike in the past, the distribution will be augmented. The completed EP will go to all but one Trop Rock station (A1A). The stations I will be sending it to have always been extremely supportive! Thank you very much! Our fan base has been just phenomenal as well! Thank you everyone!!! The print media in Trop Rock doesn't pay too much attention to what I do, so two out of three is pretty good I think!



What I will be doing on this release is adding the Americana genre to the mix. Note: “adding” is the operative word here. It's not as though I'm leaving Trop Rock. I'm not at all. What I'm doing is adding Americana to what I have. Dani has been a member for a few years and Danny Lynn also hopped on board with Tiki Man Radio, I'm guessing about a year and a half ago?



The quest, of course is gaining new fans. Americana offers interesting, new avenues to pursue, plus they have additional opportunities for my books! Additionally, the opportunity of getting the press I'm not getting in the Trop Rock genre, is wide open.

Another thing is that with Americana, the avenues for getting reviews exist. In Trop Rock, it really doesn't. I may be wrong, but I have the impression that the reasons Trop Rock publications don't do reviews is because they always want to stay on the positive? If they do a bad review for Fanny Mango Muffin's new release, they run the risk of Fanny accosting them at an event, that in addition to Fanny's fans suddenly having an ax to grind with the publication and the staff within it. On the other hand, if they do reviews of releases and say everything is just delightful with every review, they have no credibility whatsoever. So, from their perspective I understand why they don't do reviews. I wrote for Southeast Performer mag, which at the time was one of several arms of it's parent Performer Mag. Today it is just Performer Mag and can be found on-line. Because of that, I do understand a bit about music publications.

Back before I moved to Key West, I would come here and search out the local things. I wanted to feel that pulse of the town. I'd listen to Mike McCloud, or The Survivors. Their songs were about living here. That's what I was looking for. I wasn't looking for the tourist approach of longing to be here. I was looking for music that was about life here. When I moved here in 2008, that's what I naturally started to do. That's one of the things in the Trop Rock genre that I do that is somewhat unique. Like McCloud, the Survivors, and a few others, I write about things I see in day-to-day existence in Key West. It's like the saying goes "Write what you know". 

As a writer, musician and performer, my desire is to put forth my art on the finest canvas available. Doing things the right way, with the best people, is the only way I'll release something that has my name on it. The back side of this is consequently spending between $1,500 and $2,500 per recorded song to do so. With that in mind, I initially need three things: A) Enough people to buy my songs to at least break even. Doing the math, that puts us somewhere in the $10,000 range for five songs. B) Radio stations to play my works C) Publications to both promote and critique my work.



If we look at C for one second: Yes, I'm putting my head on a chopping block. Do I really want to take that risk?

Answer: Absolutely!

To begin with, I'm a Nashville published songwriter and have been so for twenty years come 2020. Within the Trop Rock genre, of the hundreds of people who write their own material, there are maybe a half a dozen published songwriters. That's it. We all have things we exceed at. For me, I do a very good BBQ, Im told I can write an excellent book, and I can write a damn good song.

So, if I get the very best people to play with me on my current upcoming EP “All The Best From Key West”, I'll give them a concrete-solid foundation to work with (that would be the song and arrangement), a producer who is second to none (Ian Shaw), then have it mastered by someone who's mastered Eric Clapton, Phil Collins, Otis Reading, The Shanty Hounds, Crosby Stills Nash and Young, The Who, Jimi Hendrix... the list goes on and on, I'll be thrilled to have it reviewed!

Will every review love it? No. Taste is subjective. However, having it reviewed any way I look at it, is a plus. However, with solid songs, the best players available, a great production and mastering, what do I have to skeptical about?

Once the EP is completed, the plan is to send it out to the dozen, or so Trop Rock stations, then send it through to be distributed to Americana stations. I'm excited, needless to say!




I write books as a side thing. I've been very fortunate to have some great ratings and complements sent my way at Amazon, plus, complements sent likewise from professionals in the literary industry itself. Thank you very much! I have three more books currently underway, the first, a sequel to Time Traveler, should be ready fairly soon.







https://www.amazon.com/Bar-Stories-Semi-Fictional-Adventure-Tour-Witnessed/dp/1980365113/ref=pd_bxgy_14_img_2/144-4224736-5856405?_encoding=UTF8&pd_rd_i=1980365113&pd_rd_r=9570f89a-a35f-11e9-bd85-01c75db0a092&pd_rd_w=dtUqo&pd_rd_wg=uwpm6&pf_rd_p=a2006322-0bc0-4db9-a08e-d168c18ce6f0&pf_rd_r=7QTAEP4AYFGDGNB3KFCF&psc=1&refRID=7QTAEP4AYFGDGNB3KFCF


Dani, is a marvelous graphic illustrator for two decades and has been using that talent for local businesses here in Key West, as well as doing original art work, local and nationwide. Additionally, she's been doing graphic work for other musician's promotions, websites, and album covers. She's fabulous!!! If you have any graphic needs, contact her at:   danihoy68@gmail.com





In addition, she's taken to painting portraits of local friends homes, here in Key West! She may also have prints made of some! Stay tuned!



Fortunately, the Shanty Hounds are busy! Just in the last five days we've played one gig last Friday, two gigs on Saturday, two gigs Sunday, and two gigs yesterday, then one tomorrow, two Friday, one Saturday, two Sunday.... We've come a long way and we are very fortunate and very, very grateful!


If it wasn't for our friends support, we wouldn't be here! THANK YOU!!!!

For those who have supported us in the past, and for those who join in the future, you are the ones who are why The Shanty Hounds exist! We are forever grateful!






We look forward to everything on our horizon and for those who are on board with us now, and those in our future, taking The Shanty Hounds adventure with us!








The Shanty Hounds Website:

https://theshantyhounds.com/